She remembered a Sunday class she had once conducted; and how for a long time she had tried in vain to get the children to “come in,” to take a hand. That she might get in touch with them, understand their small problems, she had urged them to ask questions. And there had fallen such long silences. Until, at last, one cheeky ragamuffin had piped out: She would not let him light the gas. “I have dined—in the train,” she explained. “Let us talk by the firelight.”!

She seldom discussed the war with her father. At the beginning, he had dreamed with Greyson of a short and glorious campaign that should weld all classes together, and after which we should forgive our enemies and shape with them a better world. But as the months went by, he appeared to grow indifferent; and Joan, who got about twelve hours a day of it outside, welcomed other subjects. The village consisted of one long straggling street, following the course of a small stream between two lines of hills. It was on one of the great lines of communication: and troops and war material passed through it, going and coming, in almost endless procession. It served also as a camp of rest. Companies from the trenches would arrive there, generally towards the evening, weary, listless, dull-eyed, many of them staggering like over-driven cattle beneath their mass of burdens. They would fling their accoutrements from them and stand in silent groups till the sergeants and corporals returned to lead them to the barns and out-houses that had been assigned to them, the houses still habitable being mostly reserved for the officers. Like those of most French villages, they were drab, plaster-covered buildings without gardens; but some of them were covered with vines, hiding their ugliness; and the village as a whole, with its groups, here and there, of fine sycamore trees and its great stone fountain in the centre, was picturesque enough. It had twice changed hands, and a part of it was in ruins. From one or two of the more solidly built houses merely the front had fallen, leaving the rooms just as they had always been: the furniture in its accustomed place, the pictures on the walls. They suggested doll’s houses standing open. One wondered when the giant child would come along and close them up. The iron spire of the little church had been hit twice. It stood above the village, twisted into the form of a note of interrogation. In the churchyard many of the graves had been ripped open. Bones and skulls lay scattered about among the shattered tombstones. But, save for a couple of holes in the roof, the body was still intact, and every afternoon a faint, timid-sounding bell called a few villagers and a sprinkling of soldiers to Mass. Most of the inhabitants had fled, but the farmers and shopkeepers had remained. At intervals, the German batteries, searching round with apparent aimlessness, would drop a score or so of shells about the neighbourhood; but the peasant, with an indifference that was almost animal, would still follow his ox-drawn plough; the old, bent crone, muttering curses, still ply the hoe. The proprietors of the tiny épiceries must have been rapidly making their fortunes, considering the prices that they charged the unfortunate poilu, dreaming of some small luxury out of his five sous a day. But as one of them, a stout, smiling lady, explained to Joan, with a gesture: “It is not often that one has a war.”

“I must talk to Mary,” he added, “see if we can’t get you off on some promising young Under Secretary.” “Yes,” answered Joan. “I’m a journalist.” In the end she would go into Parliament. It would be bound to come soon, the woman’s vote. And after that the opening of all doors would follow. She would wear her college robes. It would be far more fitting than a succession of flimsy frocks that would have no meaning in them. What pity it was that the art of dressing—its relation to life—was not better understood. What beauty-hating devil had prompted the workers to discard their characteristic costumes that had been both beautiful and serviceable for these hateful slop-shop clothes that made them look like walking scarecrows. Why had the coming of Democracy coincided seemingly with the spread of ugliness: dull towns, mean streets, paper-strewn parks, corrugated iron roofs, Christian chapels that would be an insult to a heathen idol; hideous factories (Why need they be hideous!); chimney-pot hats, baggy trousers, vulgar advertisements, stupid fashions for women that spoilt every line of their figure: dinginess, drabness, monotony everywhere. It was ugliness that was strangling the soul of the people; stealing from them all dignity, all self-respect, all honour for one another; robbing them of hope, of reverence, of joy in life.